- Signing sessions and lectures
- Fairs
- Our New Year cards
- Window Projects
- Copyright Bookshop Antwerpen
- Copyright Bookshop Ghent
Copyright Bookshop Ghent
- 2024Artist Maria Degrève makes an installation in the windows of Copyright Ghent
- 2023
- 2023Artist Joëlle Dubois brings Girl Power and colour in the windows of Copyright Bookshop Ghent
- 2022Karien Vandekerkhove ‘Dear Light, dearest dearest Light: book presentation and window
- 2022Ria Bosman Selected Works 1978-2021: Book presentation and installation
- 2022Artist Celina Vleugels shows her filt works in the window of Copyright Bookshop Ghent
- 2022Artist Shirley Villavicencio Pizango in Copyright Bookshop Ghent
- 2020City festival 9000 BOOKS in collaboration with Publisher MER: contributions by artists Kris Martin, Koen van den Broek, Tim Onderbeke and Louisa Maria Ponseele in Copyright Bookshop Gent
- 1991Kurt Ryslavy. Preview of his book ‘One Fucking Move’
- 1983First Copyright Bookshop in Ghent
- 1984Gewad,Ghent, Centre for Contemporary Art
- 1985Exhibition Patrick Van Caeckenbergh ‘A Pied d’Oeuvre’
- 1986Ghent, Jakobijnenstraat 8
- 1992Refurbishment of the Ghent Copyright Bookshop by architect Christian Kieckens
- 1986‘Architecture is …’ A Mail-Art project by Johan Van Geluwe
- 1988‘The Manipulator’ and ‘Code’
- 1989El Lissitzky: pioneer of the Russian Avant-garde
- 1988Eileen Gray and ‘l’architettura e anchè donna’
- 1992‘La Bibliothèque Imaginaire’
- 1991Exhibition ‘Il sentimento Italiano’
Gewad,Ghent, Centre for Contemporary Art
1984
The first bookshop shared a building with an art institution an a ballet school.
The ‘Gewad, Centre for Contemporary Art’,as it soon came to be known, was founded in 1981 by (among others) Jan Debbaut (then curator of the Van Abbemuseum, Eindhoven), collector Anton Herbert and gallery owner Joost De Clercq.
Even at that early time, the art centre mounted exhibitions of the work of Sol LeWitt, Rebecca Horn, Daniel Buren, Lawrence Weiner, Juan Muñoz, Cindy Sherman, Thierry De Cordier, Gilbert & George and others.
The years at the Gewad were an interesting apprenticeship. They brought me into contact with numerous artists and because the shop was never very busy, I had the time to read about contemporary art and architecture. My boyfriend Johan Boeykens helped me whenever he could.
In the bookshop we sometimes organized small exhibitions with young artists like Patrick Van Caeckenbergh and at regular intervals we would send out little magazines containing book reviews and information about new titles.
In those pre-digital days these were still produced by photocopying, cutting and pasting.