Joan Miró: Painting and Anti-Painting, 1927-1937
Out of print
MoMa, New York, 2008
out of print
This richly illustrated volume is the first to focus on Miro the “anti-painter,” identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miro: Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miro’s attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miro’s return to Realism in “Still Life with Old Shoe” (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miro produced during this crucial decade of his long career. This volume integrates close scrutiny of Miro’s materials and processes with historical and iconographic analysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism’s most lyrical painter-poet.